News for 'Dilwale Dulhaniya Le Jayenge'

What Anupam Kher thinks of SRK and Aamir

What Anupam Kher thinks of SRK and Aamir

Rediff.com28 Nov 2019

A revealing excerpt from Anupam Kher's Lessons Life Taught Me, Unknowingly: An Autobiography.

How Sholay has played out in our lives again and again

How Sholay has played out in our lives again and again

Rediff.com14 Aug 2015

'A friend said there was a new phenomenon occurring during every screening. Audience members were mouthing the dialogues with the characters on screen.' 'It was a truly amazing experience. It was impossible to hear what was being said on the screen. There was so much noise, laughter and celebration in the theatre. And the film was not even a month old.' Aseem Chhabra remembers seeing Sholay twice in the couple of weeks after it opened.

The A to Z of Shah Rukh Khan

The A to Z of Shah Rukh Khan

Rediff.com2 Nov 2019

On the actor's 54th birthday on November 2, we write another tome about the boy with big dreams and a regrettable haircut, who defied incredible odds to become one of the most loved actors on the planet.

The A to Z of Shah Rukh Khan

The A to Z of Shah Rukh Khan

Rediff.com27 Oct 2015

Bollywood's Badshah turns 50 on November 2, and it's time to celebrate his life and movies.

Ek Ladki Ko Dekha Toh Aisa Laga: Dostana all over again

Ek Ladki Ko Dekha Toh Aisa Laga: Dostana all over again

Rediff.com22 Feb 2019

'Ek Ladki Ko Dekha Toh Aisa Laga is a step backward for the portrayal of female camaraderie in our movies,' argues Sreehari Nair.

Manmarziyaan promises violent love

Manmarziyaan promises violent love

Rediff.com14 Aug 2018

Anurag Kashyap's lovers have no enemies to shoot, says Sreehari Nair, and so they take aim at each other.

How Chirag Patil got to play his dad in '83

How Chirag Patil got to play his dad in '83

Rediff.com23 Dec 2021

'Ranveer Singh is on a different level, he is a super human.' 'The kind of energy, the kind of seriousness and dedication he has towards his work, it is just phenomenal.'

'Meri awaaz hi pehchan hai'

'Meri awaaz hi pehchan hai'

Rediff.com6 Feb 2022

'There was no other Lata Mangeshkar, there is none and there won't be any. I will celebrate her life, today and always.'

Valentine's Day Special: 50 Shades of filmi lovin': Let's talk about sex, baby!

Valentine's Day Special: 50 Shades of filmi lovin': Let's talk about sex, baby!

Rediff.com13 Feb 2015

The very filmi Valentine's Day Special!

Is there a way out of the gloom and doom?

Is there a way out of the gloom and doom?

Rediff.com2 Sep 2020

'The government has said it has kept its powder dry to fight the true battle against the debilitating influence of the pandemic.' 'The release of the shocking economic data this week should act as the fuse for using that powder now.' 'Further delays will make the battle that much harder,' notes Shreekant Sambrani.

'In our country, we treat parents almost like Gods'

'In our country, we treat parents almost like Gods'

Rediff.com1 Dec 2016

'You have to be very equipped to even want to have children.' 'There are entrance exams for even MBAs ...and this is a life we're talking about.'

'I felt Irrfan may come back'

'I felt Irrfan may come back'

Rediff.com11 Mar 2021

'I knew things were not going well, but there was always that hope.'

The REAL reason why TV shows are going wrong

The REAL reason why TV shows are going wrong

Rediff.com26 Dec 2014

'Thirty years ago, if you walked into a chawl, there would be three TV sets in 30 houses. Today, you'll see TV sets in all 30 houses. So the viewers have increased, but of a certain strata. Sadly, the educated and upper classes have stopped watching TV shows because of the availability of the Internet.' Balika Vadhu writer Gajra Kottary tries to explain to Ronjita Kulkarni/ Rediff.com where Indian television is going wrong.

'Indian filmmakers make art even when they aren't thinking they are making art'

'Indian filmmakers make art even when they aren't thinking they are making art'

Rediff.com1 Dec 2015

'I personally consider Indian cinema as one of the most creative and powerful forms of cinematic expression in the world.' 'An average Indian film is 10 times better than a costly American production because of the creativity involved.'

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